Ingrid Burrington writes, makes maps, and tells jokes about places, politics, and the weird feelings people have about both. She's the author of Networks of New York: An Illustrated Field Guide to Urban Infrastructure. Her writing has appeared in The Atlantic, e-flux journal, The Nation, and other publications. She's currently an artist in residence at Data and Society Research Institute and lead researcher at the Institute for Near Futures, Research, and Art (INFRA). She lives on a small island off the coast of America.
Forever Noon on a Cloudless Day (lecture)
The accessibility of satellite imagery from online platforms like Google and Bing has become so commonplace that the aerial perspective it affords is easily taken for granted. But Google Earth isn't exactly a map or photograph, it's composite images, optimized and stitched together. Ingrid Burrington examines the composite nature of these images by breaking them down using analogue sleight of hand.
www.lifewinning.com
Maps exist for us to make it easier to navigate the world. They offer us insight and overview. The creation of a map is not only a political but also a powerful act — to chose to look and frame a subject and to apply a specific scope and scale. It means to carve out a point of view and back it up by the settings chosen. However, too often we forget the politics lying at the bedrock of our maps. What perspectives stay hidden underneath the folds of our maps and what maps are missing entirely? Strategies of Counter-Mapping presents three strategies of counter-mapping.
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