Experimental documentary FUTURELAND emerges out of Sonic Acts Academy 2018
FUTURELAND, produced by MA students in Conflicts & Negotiations, emerges out of fieldwork they conducted in the Port of Rotterdam, Europe’s largest cargo and container port, as part of Sonic Acts Academy 2018, as well as individual research and collaborative writing that delved into the politics of our contemporary logistical condition. The fieldwork formed part of the Academy's Logistical Nightmares programme, a partnership with the Centre for Research Architecture (Goldsmiths, University of London) exploring logistics as a model for organising social life and politics at a global scale. Hosted by Lorenzo Pezzani and Susan Schuppli, the programme featured guests such as Charmaine Chua, Stephan Helmreich, Giorgio Grappi, Heather Anne Paxson and Victor Sanz, with symposium lectures and panel discussions that are also available to watch on the Sonic Acts YouTube and Vimeo channels. "Organised by an elliptical structure, the documentary cross-cuts between temporalities and geographies to explore the ways in which the port is deeply entangled with the histories of colonialism, the legacies of maritime labour, the advent of automation, the speculative fictions of global finance, the threat of sea level rise, and the ecological consequences of an infrastructural imagination that have carved a trading zone out of the liquid architecture of the sea. The documentary utilises a wide range of source material from webcam streams to archival documents in addition to footage, animations, field recordings, and voiceover narration produced by the students themselves. Its title — FUTURELAND — derives from the main public entry point into the Port of Rotterdam where visitors depart on scheduled bus and boat tours. We too began our day on water touring the docked ships and observing the cranes as they manoeuvred their containers. “Ask me anything,” our guide enjoined us... when we paused to take pictures from our vantage point on the upper deck he resumed his running commentary. It was a recital scripted entirely in superlatives: the biggest, the tallest, the deepest, the heaviest, the largest, the greenest. Throughout the FUTURELAND video echoes of his speech come to act as a refrain that the various chapters utilise to call into question the official public narratives of the port, which are ultimately countered by the students’ own insights and approach to their research materials. In addition to exploring the logistical operations of the port itself, students also bicycled around the adjacent industrial park documenting its petro-chemical storage, which constitutes some of the primary cargo that transits through the port. Other students were able to interview Filipino mariners on shore-leave as well as dockworkers in a local pub. A representative from the labour union, who was deeply concerned about the loss of jobs both at sea and on land as a consequence of automation, was interviewed later in Amsterdam." – Susan Schuppli, Senior Lecturer and Deputy Director of the Centre for Research Architecture, Goldsmiths.