Sonic Acts Academy 2018: Unpacking the Processes of Artistic Knowledge
Sonic Acts Academy takes place from 23 to 25 February 2018 at various locations in Amsterdam North, including Dansmakers and Paradiso Noord – Tolhuistuin, with several pre-festival events at the EYE Filmmuseum and Stedelijk Museum Amsterdam. Regular tickets, Student and Group Passes are now on sale. Buy tickets here.
Sonic Acts Academy 2018 is pleased to host the artists and thinkers Ane Hjort Guttu, Ase Manual, Catherine Christer Hennix, Charmaine Chua, Christina Kubisch, Cocky Eek, Daniel Mann, DJ Haram, DJ Lycox, Dreamcrusher, Drippin, Filipa César, Geng, Jennifer Lucy Allan, Jennifer Walshe, Kilbourne, Lorenzo Pezzani, Marija Bozinovska Jones, Mario de Vega, Martijn van Boven, Moor Mother, Nicole Hewitt, Nora Sternfeld, Renske Maria van Dam, Rick Dolphijn, Roc Jiménez de Cisneros, Sasha Litvintseva, Solveig Suess, Susan Schuppli, Swan Meat, and Violence. More names will be announced in January.
Sonic Acts Academy is a new platform for speculation and reflection, focusing on critical examination of knowledge production in the field of art. It is an experimental setting free of institutional pressure and privileged classrooms, and it enables us to test and quickly react to changes in both form and content of what we should know. The Academy opts for an inclusive community; it involves those who resist or without access to the privileged spaces of academia.
Moor Mother. Photo courtesy of the artist.
Catherine Christer Hennix. Photo by JC McIlwaine, courtesy of Goethe-Institut New York.
Solveig Suess. Photo courtesy of the artist.
Violence. Photo by Sima Ajlyakin.
Mario de Vega. Photo by Krzysztof Zielinski.
DJ Haram. Photo courtesy of the artist.
Renske Maria van Dam. Photo courtesy of the artist.
Today, more than ever, it is necessary to address the function of art and the artist and to expand the conversation to include the processes of the ‘decolonisation of thought’ – certainly one of the most critical factors in artistic practices today. By presenting artistic investigations and research – the processes that challenge the notions of the petrified world – Sonic Acts aims to include various dynamic perspectives to the podium. Together, we need to rethink how education can again become a tool for discovery and growth, for development and emancipation, and not just a machine that disseminates dominant modes of thinking.
The second edition of Sonic Acts Academy features a range of international artists, academics, activists, curators, and theorists, ready to articulate different examples of learning and to engage in an experimental setting free of institutional pressure and privileged classrooms. Their processes are revealed in a variety of open workshops, seminars, lectures, performances, screenings, sensorial walks, and installations, taking place at Dansmakers, EYE Filmmuseum, Stedelijk Museum Amsterdam and other locations. The Academy includes two club nights at Paradiso Noord – Tolhuistuin, as part of the ongoing Progress Bar series. Aiming to represent radical equality, communality and hopefulness, Progress Bar is a growing community of artists, academics and activists who occupy clubs for a better politics.
Progress Bar at Paradiso Noord. Photo by Pieter Kers.
Eyal Weizman at Sonic Acts Festival 2017. Photo by Pieter Kers.
Noortje Marres at Sonic Acts Festival 2017. Photo by Pieter Kers.
Organised in partnership with Paradiso, Stedelijk Museum Amsterdam, EYE Filmmuseum and Dansmakers, and as part of Re-Imagine Europe, the Academy includes speculative ‘festival’ modules devised together with Continuum, Interaction Design (ArtEz, Arnhem), ArtScience Interfaculty (Royal Conservatoire & the Royal Academy for Fine Arts, The Hague), Centre for Research Architecture (Goldsmiths, University of London), Shadow Channel (Sandberg Instituut, Amsterdam), and Research School for Media Studies (Utrecht University).
Sonic Acts Academy 2018 is supported by the Creative Industries Fund NL, Amsterdam Fund for the Arts, Mondriaan Fund, Creative Europe Programme of the European Union, The Prins Bernhard Cultuurfonds, and Paradiso.
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