Search results for 2014
Billy Roisz & Dieter Kovačič – Bring Me the Head of Henri Chrétien!
Billy Roisz and Dieter Kovačič explore the world of cinematic formats based on the genre that experimented with the width of the screen to display spectacular landscapes: Western movies and their wide span of (male) heroism between life and death. Commissioned for Vertical Cinema
Dark Ecology Interview Tim Morton
RESEARCH SERIES #6 During the first Dark Ecology journey, which took place from 9 to 12 October 2014, a group of artists, researchers and theorists travelled the border zone between Norway and Russia. On the last day we sat down with Timothy Morton, author of amongst others The Ecological Thought and Hyperobjects: Philosophy and Ecology after the End of the World.
Tim Maughan interviews Liam Young
RESEARCH SERIES #7 One of the speakers at the next Sonic Acts Festival is speculative architect Liam Young. Together with Kate Davies he runs the Unknown Fields Division, ‘a nomadic design studio that ventures out on annual expeditions to the ends of the Earth exploring unreal and forgotten landscapes, alien terrains and obsolete ecologies’.
An interview with Hillel Schwartz
RESEARCH SERIES #9 During Dutch Design Week, on Saturday 25 October 2014, Sonic Acts presented ‘A Day of Noise’ in Temporary Art Centre (TAC) in Eindhoven. The keynote speaker was cultural historian Hillel Schwartz, undoubtedly one of the world’s foremost experts on noise.
Interview with Noam Elcott on Verticality
RESEARCH SERIES #12 In February 2014 the Vertical Cinema programme was screened at the Stedelijk Museum in Amsterdam. The programme was accompanied by four long lectures by experts on cinema, video, new media, and contemporary art. The American scholar Noam M. Elcott gave an impressive lecture-presentation which also sketched a possible genealogy of 'vertical cinema'.
Interview with Bart Rutten on Verticality
RESEARCH SERIES #13 In February 2014 the Vertical Cinema project was presented in the Stedelijk Museum. The programme was accompanied by lectures by experts on cinema, video, new media, and contemporary art, one of which was Bart Rutten, at that time still curator of modern and contemporary art at the Stedelijk Museum.
Interview with Don Foresta
RESEARCH SERIES #14 In June 2014 Sonic Acts invited research artist Don Foresta to give two presentations in the Netherlands. Before his lecture presentation at STEIM in Amsterdam, Arie Altena sat down with him to talk about his experiences, working with Nam June Paik, Woody and Steina Vasulka, and other pioneers of video art, and his involvement in the first experiments with network art.
Interview with Karl Lemieux
RESEARCH SERIES #16 Live presence is not often considered to be a part of cinema, but Karl Lemieux thinks it should be. Using 16mm projectors as his principal tools, the Montreal-based artist employs various tactics to manipulate both the film material and apparatus itself during the act of projection—an approach that results in a distortion of the image. Working with Swedish composer and sound artist BJ Nilsen, Lemieux shot footage on the border between Russia and Norway. This would be the basis of their collaborative performance, unearthed, presented at the 2015 Sonic Acts Festival in Amsterdam.
Interview with Lukas Marxt
RESEARCH SERIES #17 In one static shot, Lukas Marxt’s Reign of Silence (2013) observes a vessel boat swirl in circles in the Arctic sea and watches the ripples spread. While it’s only for a moment, the central theme that occupies Marxt makes itself visible – the dialogue between human and geological existence. As he journeys to the far corners of the earth, the Austrian artist lets so-called ‘deep time’ – the unimaginably vast time scale that describes geological processes – intersect with what we consider ‘real time.’
The Geologic Imagination: Lectures, Interviews and Recordings
RESEARCH SERIES #19 To get you in the mood for the upcoming Dark Ecology Journey, Research Series #19 includes recorded lectures, excerpts of live performances, sound recordings and interviews made during the 2015 festival The Geologic Imagination. With contributors such as Timothy Morton, Jana Winderen, Espen Sommer Eide, BJ Nilsen and Karl Lemieux, Raviv Ganchrow, Ele Carpenter and Graham Harman.
Nikel and Nikel Materiality
RESEARCH SERIES #25 Nikel is a small Russian mining city near the border with Norway. It was founded in the 1930s after enormous quantities of nickel were found nearby. At the time the area was Finnish. An infrastructure for mining the nickel was built in the 1930s with help from Canadian companies.
What Is Dark Ecology?
RESEARCH SERIES #26 In this essay, which draws on his book Dark Ecology, For a Logic of Coexistence, Timothy Morton — who originally coined the term dark ecology — explains what dark ecology is. He also argues how agrilogistics underpins our ecological crisis and our view of the world.
Jennifer Walshe, Timothy Morton, Áine O’Dwyer, Lee Patterson, M.C. Schmidt, Streifenjunko and Vilde&Inga – Time Time Time
Time Time Time is an operatic work written by Jennifer Walshe and Timothy Morton, which premiered at Sonic Acts Festival 2019. Morton and Walshe join forces with an ensemble of renowned musicians and sound artists to explore the multiplicity of temporalities at the heart of being human.
Timothy Morton - Human Thought at Earth Magnitude - Dark Ecology 2014
Timothy Morton’s keynote lecture is entitled ‘Human Thought at Earth Magnitude’. ‘My friend Douglas Kahn recently coined the phrase ‘Earth magnitude’. When we scale up to Earth magnitude, very interesting things happen to thinking. Far from making supposed universalistic generalisations,...
Erkki Huhtamo Vertical Cinema Lecture @ IFFR 2014
On Thursday 23 January 2014 UCLA- professor Erkki Huhtamo preluded the Vertical Cinema programme at IFFR 2014 with the lecture “Up and Down the Shaft of Time: An Archeology of Verticality”. In his lecture he elaborated on verticality as a cultural phenomenon. Traditional cultural forms have no...
Vertical Cinema is a series of ten newly commissioned large-scale, site-specific works by internationally renowned experimental filmmakers and audiovisual artists, which are presented on 35 mm celluloid and projected vertically with a custom-built projector in vertical cinemascope. Vertical Cinema is a Sonic Acts production in collaboration with several partners. www.verticalcinema.org
Dark Ecology is a three-year art, research and commissioning project, initiated by Sonic Acts and Kirkenes-based curator Hilde Methi, and in collaboration with Norwegian and Russian partners. Dark Ecology unfolds through research, the creation of new artworks, and a public programme that will be presented in the zone on both sides of the border in 2014, 2015 and 2016. www.darkecology.net
Raviv Ganchrow – Long Wave Synthesis
Long Wave Synthesis is a land-art scale sound installation that investigates infrasound, and probes the relations between how we perceive the landscape and long-wave vibrations. The piece creates a complex topography of acoustic waves in a range of 4 to 30 Hz (mostly in the infrasound range, below the threshold of human hearing) spreading out from an array of custom-built, very low frequency generators. Commissioned for Dark Ecology Journey 2014
Sonic Acts Commission Dolmen by Mario de Vega in Berlin
From 9 to 20 December 2015, Mario de Vega’s Dolmen will be presented by singuhr-projects at Meinblau Projektraum in Berlin. This installation was commissioned by Sonic Acts in collaboration with donaufestival and was first presented in the context of The Geologic Imagination, the 2015 edition of the Sonic Acts Festival.
Sonic Acts & EYE on Art: Weather Report
Following the 2015 United Nations Climate Change Conference, on 15 December Sonic Acts and EYE on Art will host a Dark Ecology inspired evening on climate change. The programme explores the subject from the perspective of Dark Ecology. Included are works from EYE’s collection as well as contributions by artists who are part of the 2015 Dark Ecology Journey.
Jana Winderen – Pasvikdalen
Drifting away from a state of stability, blurring acceleration, moving out of sight, but not out of mind. Invisible but audible, the consequences reveal themselves through the silence of species we have never heard. Jana Winderen’s new work Pasvikdalen is based on recordings made both above and under water close to the border between Norway and Russia.
Secret Chamber / Тайная Комната (Tainaya Komnata) – Anya Kuts & Ivan Zoloto
Anya Kuts and Ivan Zoloto from Petrozavodsk curated two so-called ‘Secret Chambers’. ‘Secret Chamber’, in Russian Тайная Комната (Tainaya Komnata) is the name they use for the audiovisual events they curate in unexpected, ‘secret’ locations.
Interview Ele Carpenter
SONIC ACTS FESTIVAL – THE GEOLOGIC IMAGINATION Interview Ele Carpenter 28 February 2015 – Paradiso, Amsterdam, the Netherlands Interview by Oleg Khardatsev and Zhanna Guzenko / Fridaymilk Fridaymilk (RU) is a well-known media platform in Murmansk, Russia, run by a team of 10 people who are eage...
Re-Imagine Europe is a four-year project presented by ten cultural organisations from across Europe, with an aim to respond to the social and political challenges that we are currently facing. Funded by Creative Europe, the project involves artistic residencies, commissions, workshops and symposia, using art to empower a young generation of digitally connected Europeans to explore new ideas. sonicacts.com/re-imagine-europe
Femke Herregraven – Staring into the Ice
For her Dark Ecology commission, Staring into the Ice, Femke Herregraven examines the relations between the financial world and global warming, and how the melting Arctic ice now opens up new investment opportunities and trading routes for financial markets by making it possible to lay submarine cables on the Arctic seabed.
Interview Graham Harman
SONIC ACTS FESTIVAL – THE GEOLOGIC IMAGINATION Graham Harman 26 February 2015–- Paradiso, Amsterdam, the Netherlands Interview by Oleg Khardatsev and Zhanna Guzenko / Fridaymilk Fridaymilk (RU) is a well-known media platform in Murmansk, Russia, run by a team of 10 people who are eager to promo...
Mark Williams: The Human Impact from a Geological ‘Anthropocene’ Perspective
SONIC ACTS Festival - The Geologic Imagination Mark Williams: The Human Impact from a Geological ‘Anthropocene’ Perspective 26 februrary 2015 - Paradiso, Amsterdam, the Netherlands --- The history of human evolution extends back for more than two million years, and in all that time humans and th...
Hillel Schwartz Interview
During Dutch Design Week, on Saturday 25 October 2014, Sonic Acts presented A Day of Noise in Temporary Art Centre (TAC) in Eindhoven. The keynote speaker Hillel Schwartz, was interviewed by Sonic Acts on this occasion. Hillel Schwartz (US) is currently the Holtzbrinck Fellow at the American Academ...
Yoneda Lemma & Anna Mikkola
SONIC ACTS ACADEMY Yoneda Lemma & Anna Mikkola 27 February 2016 - Paradiso, Amsterdam, the Netherlands --- Yoneda Lemma (aka You Need a Lemon, sometimes Yoni Dilemma) is a quasi-causal brainchild for abstract exploration, experimental research, and a platform for productions, plotted by Canadian-bor...
::vtol:: aka Dmitry Morozov – Лесофон / Lesophon
Лесофон / Lesophon is an audiovisual installation. Slowly, adhesive tape rolls unroll themselves over the course of many hours. This process is recorded and the generated data produces an algorithm that generates sound which is subsequently transmitted on FM. People are invited to listen to the installation as it unwinds, through headphones and via FM radio.
BJ Nilsen – ORE
ORE is an acousmatic work that reveals the artist’s research into the mining of iron ore and its impact on society and cultural relevance. The work was developed for the Acousmonium sound diffusion system during a residency at Ina GRM, Paris, and was presented at Paradiso, Amsterdam, as part of Sonic Acts Festival 2019.