Search results for stedelijk
Billy Roisz & Dieter Kovačič – Bring Me the Head of Henri Chrétien!
Billy Roisz and Dieter Kovačič explore the world of cinematic formats based on the genre that experimented with the width of the screen to display spectacular landscapes: Western movies and their wide span of (male) heroism between life and death. Commissioned for Vertical Cinema
Interview with Noam Elcott on Verticality
RESEARCH SERIES #12 In February 2014 the Vertical Cinema programme was screened at the Stedelijk Museum in Amsterdam. The programme was accompanied by four long lectures by experts on cinema, video, new media, and contemporary art. The American scholar Noam M. Elcott gave an impressive lecture-presentation which also sketched a possible genealogy of 'vertical cinema'.
Interview with Bart Rutten on Verticality
RESEARCH SERIES #13 In February 2014 the Vertical Cinema project was presented in the Stedelijk Museum. The programme was accompanied by lectures by experts on cinema, video, new media, and contemporary art, one of which was Bart Rutten, at that time still curator of modern and contemporary art at the Stedelijk Museum.
The Geologic Imagination: Lectures, Interviews and Recordings
RESEARCH SERIES #19 To get you in the mood for the upcoming Dark Ecology Journey, Research Series #19 includes recorded lectures, excerpts of live performances, sound recordings and interviews made during the 2015 festival The Geologic Imagination. With contributors such as Timothy Morton, Jana Winderen, Espen Sommer Eide, BJ Nilsen and Karl Lemieux, Raviv Ganchrow, Ele Carpenter and Graham Harman.
Combining Compositional Precision and Uncontrolled Processes: Interview with Thomas Ankersmit
RESEARCH SERIES #23 On 12 October 2013 Arie Altena interviewed Thomas Ankersmit about his work and his set-up for his concert the following day in the Minoritenkirche in Krems. Ankersmit was there as part of the 2013 Kontraste Festival
More artists, speakers and commissioned works announced for Sonic Acts Academy 2020
Sonic Acts is excited to now reveal the second wave of artists, thinkers and commissioned works for Sonic Acts Academy 2020, taking place in Amsterdam from 21 to 23 February 2020 at Paradiso, De Brakke Grond, Stedelijk Museum and OT301.
Programme announced! Rosa Pistola, No Bra, Lone Taxidermist, SHYBOI and lots more confirmed for Sonic Acts Academy 2020
The Sonic Acts Academy 2020 programme is now online, with a new wave of artists and speakers announced for a packed three days of live, immersive, expanded and charged experiences, and vital critical perspectives.
Bart Rutten Vertical Cinema Lecture
Bart Rutten will share his remarks on the mainly abstract Vertical Cinema programme, based on both his personal experiences in curating film and video art, as well as the institutional context of Stedelijk Museum Amsterdam. With examples from Kazimir Malevich to Bill Viola, from Xerox Alto and Pacma...
Vertical Cinema is a series of ten newly commissioned large-scale, site-specific works by internationally renowned experimental filmmakers and audiovisual artists, which are presented on 35 mm celluloid and projected vertically with a custom-built projector in vertical cinemascope. Vertical Cinema is a Sonic Acts production in collaboration with several partners. verticalcinema.org
Vertical Cinema at Stedelijk Museum Amsterdam, IFFR & Kontraste Festival
"Vertical Cinema," the most ambitious and promising show in the entirety of the Rotterdam festival" "Yet simply the readjustment necessary to watch this program was something tremendous to experience, an exhausting craning upward at the skyscraper-like white tower of screen which asked for an up-and...
COLTERRAIN BY TINA FRANK 10'20'' 35MM VERTICAL CINEMASCOPE COLOUR SOUND: COH AUDIO TO VIDEO: GREGOR GÖTTFERT my tv has no picture, just vertical colour lines… sound is fine… Colterrain, the title of this film, refers to a colourful landscape, a terrain described by lines similar to geographic...
CHROME BY ESTHER URLUS 7'40'' 35MM VERTICAL CINEMASCOPE COLOUR SOUND: HUIB EMMER Chrome is inspired by the autochrome process, a colouring technique for black-and-white photographs invented by the Lumière brothers in 1903. In the autochrome process, microscopic grains of potato starch dyed red-ora...
#43 BY JOOST REKVELD 10'30'' 35MM VERTICAL CINEMASCOPE COLOUR The images in the film #43 are generated by systems in which the pixels are agents that are, in some respects, comparable to organic cells. These systems are bumped into motion by disruptions that cause a difference between some pixels a...
PYRAMID FLARE BY JOHANN LURF 5’30’’ 35MM VERTICAL CINEMASCOPE COLOUR SILENT Among the most mysterious man-made structures ever built, the pyramids still challenge scholars and provoke pseudo-scientific theories. Most architects have abandoned the idea of recreating a pyramid in modern times:...
DEORBIT BY MAKINO TAKASHI & TELCOSYSTEMS 17'30'' 35MM VERTICAL CINEMASCOPE COLOUR DRUMS: BALÁZS PÁNDI The myth of Icarus whose waxed feather wings melted away because he flew too close to the sun is an early record of an object falling back to Earth. A more recent atmospheric entry is that of the...
BRING ME THE HEAD OF HENRY CHRÉTIEN!
BRING ME THE HEAD OF HENRY CHRÉTIEN! BY BILLY ROISZ & DIETER KOVAČIĆ 8’17’’ 35MM VERTICAL CINEMASCOPE COLOUR SOUND MASTERING: MARTIN SIEWERT There’s no sentiment as bold as the one in a duel shot in cinemascope. There’s no emotional drop height as big as in abstract vertical movies. ...
LUNAR STORM BY ROSA MENKMAN 6’00’’ 35MM VERTICAL CINEMASCOPE COLOUR The surface of the Moon seems static. Though it orbits the Earth every 27.3 days, with areas of it becoming invisible during this rotation, it is always (visibly or invisibly) above us, reassuringly familiar. The Moon is the...
WALZKÖRPERSPERRE BY GERT-JAN PRINS & MARTIJN VAN BOVEN 11’11’’ 35MM VERTICAL CINEMASCOPE COLOUR Light and sound engraving on weathered concrete created by scanning the architectural elements of a bunker wall. Verticality as a concept of resistance. The freezing of time to its absolute limit,...
Save the Date: Sonic Acts Academy
From 26 to 28 February 2016, Sonic Acts hosts a new research-oriented programme at the intersection of art, music and science at several locations in Amsterdam. Over the course of three days, Sonic Acts Academy will invite artists, theorists, and scientists to expand on their research through lectures, concerts, film programmes, work presentations, masterclasses and workshops.
Otto Piene's The Proliferation of the Sun at Stedelijk
After the impressive performance of The Proliferation of The Sun (1967) by ZERO artist Otto Piene during the Sonic Acts Festival 2015, the Stedelijk Museum Amsterdam and Sonic Acts present the performance again in honour of the opening of the exhibition ZERO: Let Us Explore The Stars on Friday 3 July.
Sonic Acts Academy: Early Bird Tickets Available
Get your early bird tickets for the Sonic Acts Academy 26-28 February 2016 now. The Academy will take place every two years, alternating with the bi-annual Sonic Acts festival. The Academy is offering thought-provoking new perspectives on the research into art, the research needed for art and especially research through art.
Anthea Caddy – Long Throw: An Exploration of an Expanded Energetic System for Cello and Loud Speaker
Long Throw: An Exploration of an Expanded Energetic System for Cello and Loud Speaker is a live performance that expands the physical properties of projected sound energy via amplified cello. The piece premiered at Sonic Acts Academy 2020 as part of Sounding Provocations programme at Stedelijk Museum.
Looking back on first edition Sonic Acts Academy
The first edition of Sonic Acts Academy has ended. We look back proudly on an opening night with performances at Stedelijk Museum Amsterdam, five workshops and two days of presentations celebrating today’s artistic practices at de Brakke Grond, and an invigorating line-up at Paradiso that had visitors dancing into the early hours.
Sonic Acts Academy 2016: Impressions
From 26 - 28 February the first edition of Sonic Acts Academy took place in Amsterdam. For this three-day event artists, theorists, and scientists were invited to expand on their research through lectures, concerts, film programmes, work presentations, masterclasses and workshops. The Academy relate...
Espen Sommer Eide: A Tuned Chord is like a Scientific Instrument Probing the Universe
SONIC ACTS FESTIVAL - THE GEOLOGIC IMAGINATION Espen Sommer Eide: A Tuned Chord is like a Scientific Instrument Probing the Universe 26 February 2015 - Stedelijk Museum, Amsterdam, the Netherlands --- SONIC ACTS FESTIVAL - THE GEOLOGIC IMAGINATION Espen Sommer Eide: A Tuned Chord is like a Scientifi...
Homage to Dick Raaijmakers at ICMC
After thirty years, the internationally renowned conference on computer music ICMC (International Computer Music Conference) is returning to the Netherlands. On Tuesday September 13 ICMC invites Thomas Ankersmit & Tarik Barri for a special performance of 'Homage to Dick Raaijmakers' and 'Versum' at TivoliVredenburg in Utrecht.
Special projects and Early Birds for Sonic Acts’ 25th anniversary festival
As we count down to our upcoming celebratory festival edition, we are proud to reveal a few of the special large-scale projects and performances we have been working on. Early Bird festival passes are available until 31 December.
Hugo Esquinca – Deformation Studies on Dimension and Structure for Fifteen Point Three
Deformation Studies on Dimension and Structure for Fifteen Point Three is a mediation on the acoustic resonances of space. The work was developed during a residency at STEIM (organised by Sonic Acts) and presented at Stedelijk Museum Amsterdam as part of Sonic Acts Festival 2019.
Ji Youn Kang – Untitled
Untitled plays with two customised bamboos and a small Korean gong, with analogue devices that connect the instruments for further real-time processing. The work was developed during a residency at STEIM (organised by Sonic Acts) and presented at Stedelijk Museum Amsterdam as part of Sonic Acts Festival 2019.
Limited number of Blind Bird tickets available for Sonic Acts Academy 2020
Sonic Acts Academy is a three-day festival of innovative audio-visual and performative art and critical thinking, taking place from 21 to 23 February 2020 in Amsterdam. A limited amount of Blind Bird festival passes are now available for €50.
The Rodina – Accidental Geopoetics
Accidental Geopoetics is a design intervention that takes revealing and hiding as two basic principles of design practice. At Sonic Acts Festival 2019, the work took the form of a navigational infrastructure at Stedelijk Museum Amsterdam, engaging the visitors while occupying the museum’s hallways.
Polina Medvedeva and Andreas Kühne – The Informals / Неформалы
The Informals / Неформалы is a part-autobiographical work and a universal statement on the notions of decentralisation, collectivism, and non-conformist ways of living in the digital age. The European premiere of The Informals / Неформалы was presented at Paradiso, Amsterdam, as part of Sonic Acts Festival 2019.
Sonic Acts Academy 2020
Academy 2020 took its cue from inspiring artistic research with a special emphasis on experimentation and innovation. Informed by the urgency of the climate crisis and approaches to new futures, the Academy was an open invitation to listen, talk and learn with one another, fuelled by over 50 of the most exciting contemporary artists and thinkers from around the globe. 2020.sonicacts.com
Philip Vermeulen – More Moiré²
Philip Vermeulen’s sensorially powerful audiovisual installation More Moiré² premieres at Sonic Acts Academy 2020. In a panoramic Ganzfeld environment, with no horizon or anchor, the immersive cinematic experience puts visitors’ senses to the test. The tension between the experience of bodyless digitality and material physicality is palpable in More Moiré², which resets the senses in stimulating the awareness of one’s own material existence.
AV impressions of Sonic Acts Academy 2020 now online
Complete photo reports of the Academy will be published in the coming week, but you can already browse through a selection of first impressions on our social channels. Festival aftermovies and videos of the entire conference programme will also be online soon.
Thank you for contributing to an unforgettable Academy
Sonic Acts Academy 2020 is a wrap! As always, we are extremely grateful to everyone involved in making this year’s edition another great success. Thankfully, our incredible team of photographers and videographers were on hand to capture every moment.
Watch the 2020 conference talks and performances
In light of the difficult circumstances brought about by the COVID-19 pandemic, we are working on ways to move future activities online. In the meantime, videos of the Sonic Acts Academy 2020 conference and performances can be watched over the weeks and months ahead.
Sonic Acts Academy 2018
Sonic Acts Academy 2018 was a platform for investigation, speculation, and reflection, focusing on educational practices and the critical examination of knowledge production in the field of art. By expanding artistic experience into an academy of engagement and exchange, it offered both a playground and a radical syllabus at odds with institutionalised learning. sonicacts.com/2018
Sonic Acts Festival 2019 – Hereafter
Under the title Hereafter, Sonic Acts explored the genesis of our current crisis by reflecting on the issues we are forced to confront on a daily basis: the inequalities caused by colonisation and geostrategic manoeuvring, the challenges brought forth by immigration and the climate crisis, and the way technological advancements disrupt and not emancipate. 2019.sonicacts.com
Sonic Acts Festival 2017 – The Noise of Being
The Noise of Being strived for a (de-)alignment of actors: humankind, Earth, technology and all other beings, by means of several strategies: de-colonising thought, de-normalisation, de-capitalisation, the inversing of time, creating cracks, and imaginative speculation – a chance to speculate about the strange and anxious state of being. sonicacts.com/2017
Sonic Acts Academy 2016
Sonic Acts Academy 2016 highlighted artistic engagement as vital to understanding the complexities of our contemporary world. Over the course of three days, artists presented work that challenged the sterile dichotomy of theory versus practice. Following an open and dynamic format, the Academy positioned art as a unique means of knowledge production. sonicacts.com/2016