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Interview with Karl Lemieux
RESEARCH SERIES #16 Live presence is not often considered to be a part of cinema, but Karl Lemieux thinks it should be. Using 16mm projectors as his principal tools, the Montreal-based artist employs various tactics to manipulate both the film material and apparatus itself during the act of projection—an approach that results in a distortion of the image. Working with Swedish composer and sound artist BJ Nilsen, Lemieux shot footage on the border between Russia and Norway. This would be the basis of their collaborative performance, unearthed, presented at the 2015 Sonic Acts Festival in Amsterdam.
The Geologic Imagination: Lectures, Interviews and Recordings
RESEARCH SERIES #19 To get you in the mood for the upcoming Dark Ecology Journey, Research Series #19 includes recorded lectures, excerpts of live performances, sound recordings and interviews made during the 2015 festival The Geologic Imagination. With contributors such as Timothy Morton, Jana Winderen, Espen Sommer Eide, BJ Nilsen and Karl Lemieux, Raviv Ganchrow, Ele Carpenter and Graham Harman.
Sonic Acts & EYE on Art: Weather Report
Following the 2015 United Nations Climate Change Conference, on 15 December Sonic Acts and EYE on Art will host a Dark Ecology inspired evening on climate change. The programme explores the subject from the perspective of Dark Ecology. Included are works from EYE’s collection as well as contributions by artists who are part of the 2015 Dark Ecology Journey.
What Is Dark Ecology?
RESEARCH SERIES #26 In this essay, which draws on his book Dark Ecology, For a Logic of Coexistence, Timothy Morton — who originally coined the term dark ecology — explains what dark ecology is. He also argues how agrilogistics underpins our ecological crisis and our view of the world.
We Are All in the Mud
RESEARCH SERIES #32 Eyal Weizman is a London-based Israeli architect, Professor of Spatial and Visual Cultures, and writer, who focuses on architecture as a form of political intervention and the role of architecture in modern urban warfare. Lucas van der Velden interviewed Eyal Weizman after his lecture at the 2017 Sonic Acts Festival.
Re-Imagine Europe is a four-year project presented by ten cultural organisations from across Europe, with an aim to respond to the social and political challenges that we are currently facing. Funded by Creative Europe, the project involves artistic residencies, commissions, workshops and symposia, using art to empower a young generation of digitally connected Europeans to explore new ideas. sonicacts.com/re-imagine-europe
Sonic Acts Academy publication now for sale
In context of the Sonic Acts Academy, Sonic Acts published a 64-page ’zine’, which contains a beautifully designed and printed collection of short essays, manifestos, statements and visual contributions that provide invaluable insights into the exploration conducted and during the Academy.
Louis Henderson: “Animism is the only sensible version of materialism”
SONIC ACTS ACADEMY Louis Henderson: “Animism is the only sensible version of materialism” 27 February 2016 - De Brakke Grond, Amsterdam, the Netherlands --- For some time I have been working towards an archaeological cinema that investigates political problems inherent within institutional archi...
Susan Schuppli: 'Dark Matters - Bearing Material Witness to Climate Change'
DARK ECOLOGY Susan Schuppli: Dark Matters 28 November 2015 - Aurora Cinema, Murmansk, Russia --- In her keynote lecture Dark Matters: Bearing Material Witness to Climate Change Susan Schuppli introduces a new operative concept, that of the ‘Material Witness’. This is an exploration of the eviden...
Ele Carpenter: The Nuclear Anthropocene
SONIC ACTS FESTIVAL – THE GEOLOGIC IMAGINATION Ele Carpenter: The Nuclear Anthropocene 28 February 2015 – Paradiso, Amsterdam, the Netherlands --- Ele Carpenter introduces her curatorial research into nuclear culture, drawing on artistic practices in Europe and Japan, and field trips to undergro...
Signe Lidén & Espen Sommer Eide – Altitude and History
Espen Sommer Eide and Signe Lidén took participants on an evening trek in the mountains above Nikel, where they investigated the acoustic phenomena in relation to the topography of the area while relating them to the local history. Eide and Lidén had their specially developed mobile, meteorological music instruments with them, which they installed and activated at various places during the trek.